It's not enough to just understand shot size. Camera angles, and degree of those angles, can totally change the meaning of a shot. As you prepare your shot list, it helps to remember all the options. We're going to build a shot list using StudioBinder to highlight the various camera angles. Here's a quick video on how a shot list is created.

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This is when your camera height is about as low as your subject’s knees. They can emphasize a character’s superiority if paired with a low angle. It's not as extreme as a ground level shot but it gets the same feeling across. These are ideal when you want to focus on characters walking, or in this case from Home Alone, creeping.

The high angle shot is a versatile shot that can be used in many situations. The most common usage is to make a character seem vulnerable and powerless but there are always exceptions to the rule.

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A low angle shot shot frames the subject from below a their eyeline. These camera shots most often emphasize power dynamics between characters — a low angle shot on one character is often paired with a high angle shot on the other character.

SC Lannom is a screenwriter and director living in Los Angeles. He works as a writer, director, and content producer here at StudioBinder.

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An aerial shot, whether taken from a helicopter or drone, is captured from way up high. It establishes a large expanse of scenery. Many of the helicopter shots in Black Hawk Down are aerial shots.

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For a Dutch angle (Dutch tilt), the camera is slanted to one side. With the horizon lines tilted in this way, you can create a sense of disorientation, a de-stabilized mental state, or increase the tension.

In your next shot list, when you've got a character who is powerful (or at least feeling powerful), consider the low angle shot. It will bring that extra bit of meaning to your shot.

Low angle camera shots are a perfect camera angle for signaling superiority or to elicit feelings of fear and dread. Here's a video that dives deeper into the various low angle shot examples and how they have been used by filmmakers like Wes Anderson, Orson Welles, and Spike Jonze.

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Now that's we've reviewed all the different types of camera angles in film, let's take a closer look at them one at a time.

The further away you get from the subject, like in this moment from Punch-Drunk Love, to keep the subject framed with proper head room, a hip level shot will get the job done.

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A Cowboy shot is when your camera is roughly waist-high. Hip level shots are often useful when one subject is seated while the other stands.

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Think of the Dutch angle as "emphasis" for any tense or subjective moment. It's a great way to amplify whatever emotion, mental state, or suspense you're bringing to the scene.

Hip level shots can also be extremely useful camera angles for when you have action that occurs near the hip, like weapons being drawn, or someone reaching into their pocket. That's why it's also known as a "cowboy shot" — we can't think of hip level shots without seeing a gun, holster, and the enemy ahead in the distance.

You’re looking for a list of the different camera angles in film, but you also want great examples that come with clear explanations of when and why to use specific camera shot angles. Whether you want your characters to seem powerful, vulnerable, or intimate, the power of camera angles cannot be understated. We’ll provide you with downloadable shot lists that feature all of the different types of camera shot angles in film. Lezgo.

Here is a shot list with the different types of camera shot angles. We used some of the most iconic camera angles from films like The Matrix, Do the Right Thing, and Pulp Fiction as a sort of cheatsheet. Can you guess what movies are represented here? Follow the image link to see the fully populated shot list, which you can also download and use for reference.

A ground level shot is when your camera’s height is on ground level with your subject. This camera angle is used a lot to feature a character walking without revealing their face, but it can help to make the viewer more active and use the actor's performance to build an idea.

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Overhead shots are great for providing perspective on a scene — but not just any perspective. It's often used as either a "neutral" or sometimes "divine" point of view.

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Our first camera angle is the eye level shot, and this is when your subject is at eye-level. An eye level shot can result in a neutral perspective (not superior or inferior). This mimics how we see people in real life — our eye line connecting with theirs, and it can break down boundaries.

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Here is our video on how you can use high angle shots in your film. But, as the video below shows, there are the standard and more creative expressions of the high angle shot.

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Camera angles are very important in visual storytelling but they are just the beginning of the options available. When you find yourself prepping a shot list, remember shot size, framing, focus, and camera movement. When filmmakers can combine all the camera techniques into a single shot for the right reasons, that's when iconic moments in film are born. If you'd like to see our entire list of camera shots in film, make sure to continue onto the next post.

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Explore the different types of camera angles, and learn how to combine them with other shot specs for visual storytelling.

Affordable drones have made aerial photography more accessible to filmmakers. Once considered a big-budget luxury or stock-footage mainstay, original aerial photography is now within reach of almost any production, all thanks to the "rise" of drones (and Sky-net).

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Eye level shots are actually much less standard than one might initially think, because directors often prefer to place the camera at shoulder level to attain a much more cinematic look.

In a high angle shot, the camera points down at your subject. It usually creates a feeling of inferiority, or “looking down” on your subject. But, again, with every other camera angle, there are many applications.

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A shoulder level shot is a camera angle that is as high as your subject’s shoulders. Shoulder level shots are actually much more standard than an eye level shot, which can make your actor seem shorter than reality.

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Here's a video example of the Dutch angle camera angle focusing on the precise moment to use one. Watch as the scene begins with "level" and "normal" shots before switching to Dutch angles for maximum impact.

Because the camera is aligned with the shoulder, it allows the actor's head to reach the top of the frame (reducing head room). It also places the actor's eye-line slightly above the camera, and, in turn, the illusion of a slightly lower angle.

An overhead shot is from above, looking down on your subject. These are typically shot from 90 degrees above — anything less might be considered a high angle shot instead.