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Cross-cutting was established as a film-making technique relatively early in film history (two examples being Edwin Porter's 1903 short The Great Train Robbery and Louis J. Gasnier's 1908 short The Runaway Horse); Griffith was its most famous practitioner. The technique is showcased in his Biograph work, such as A Corner in Wheat and 1911's The Lonedale Operator.[4] His 1915 film The Birth of a Nation contains textbook examples of cross-cutting and firmly established it as a staple of film editing. Mrinal Sen has used cross-cutting effectively in his agit-prop film Interview, which achieved significant commercial success. Christopher Nolan uses cross-cutting extensively in films such as Interstellar, The Dark Knight and Inception - particularly in the latter, in which sequences depict multiple simultaneous levels of consciousness.[1] Cloud Atlas is known for its numerous cross-cuts between the film's six different stories, some lasting only a few seconds yet spanning across hundreds of years in different locations around the world. Its cuts are eased by the similar emotional tone depicted by each side's action.[citation needed]
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Grinding Wheel Speed Calculator - British Units CALCULATING SFPM The performance of grinding wheels and quality of the finished workpiece is affected by how fast the abrasive grains sweep over the workpiece. That speed affects surface quality, workpiece burn, material removal rates, and other factors. Since the speed of the abrasives on the wheel perimeter depends upon the diameter of the wheel, RPM isn't a useful measure. To calculate the speed, consider that abrasive grains on the wheel perimeter traverse the circumference of the wheel once for every revolution of the wheel. So their speed is equal to the circumference (in feet) times the number revolutions per minute(RPM). Also important is pi,a constant ratio between diameter and circumference of a circle. In the boxes on the left enter two values to calculate a third value. One of the three boxes must be blank. Wheel diameter is measured in inches for US/English Units and in mm for Metric.
Cross-cutting is often used during phone-conversation sequences so that viewers see both characters' facial expressions in response to what is said.[5]
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Suspense may be added by cross-cutting.[2] It is built through the expectations that it creates and in the hopes that it will be explained with time. Cross-cutting also forms parallels; it illustrates a narrative action that happens in several places at approximately the same time. For instance, in D. W. Griffith's A Corner in Wheat (1909), the film cross-cuts between the activities of rich businessmen and poor people waiting in line for bread. This creates a sharp dichotomy between the two actions, and encourages the viewer to compare the two shots. Often, this contrast is used for strong emotional effect, and frequently at the climax of a film. The rhythm of, or length of time between, cross-cuts can also set the rhythm of a scene.[3] Increasing the rapidity between two different actions may add tension to a scene, much in the same manner of using short, declarative sentences in a work of literature.
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Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.[1]
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